I'm delighted to host a house concert featuring Adam Maha and friends
Friday 2nd October 2026
Time 7pm, please come between 6.30 and 6.50pm
Tickets $45 (children under 15 years free) TIcket price includes Alpino pizza, wine and non-alcoholic drinks.
Bookings through this website, limited to 45 people.
The Programme
Caroline Shaw (b. 1982)
Limestone & Felt (2012)
Written originally for viola and cello, Limestone & Felt explores the contrasting textures suggested by its title. Shaw uses pizzicato, bowing techniques, and sudden dynamic shifts to mimic "limestone" (hard, structural, reverberant sound) and "felt" (soft, muted, dampening sound), creating a rhythmic and tactile dialogue between the two instruments.
Paul Wiancko (b. 1983)
American Haiku (2014) Composed for viola and cello, this three-movement work (Far Away, In Transit, Home) draws inspiration from Japanese haiku poetry, Appalachian fiddle tunes, and Japanese folk music. The piece moves from contemplative, spacious soundscapes into percussive, syncopated textures, illustrating a journey of departure, transition, and return.
George Walker (b. 1922 d. 2018)
Lyric for Strings (from String Quartet No. 1) (1946) Originally titled Lament and dedicated to the composer's grandmother, this poignant piece was written shortly after Walker graduated from the Curtis Institute of Music. Characterized by lush, expressive polyphony and soaring melodic lines, it remains one of the most widely performed works by an African American composer.
Amy Beach (b. 1867 d. 1944)
Romance, Op. 23 (1893) Composed for violin and piano, this piece premiered at the 1893 World’s Columbian Exposition in Chicago, performed by Beach herself alongside violinist Maud Powell. The work is quintessential Late Romantic chamber music, featuring a lyrical, singing violin line supported by rich, arpeggiated piano harmonies.
Paul Coletti (b. 1959)
From My Heart (1993) Written by world-renowned violist Paul Coletti, this expressive solo and chamber work showcases the deep, warm timbre of the viola. It combines rich, romantic melodic phrasing with virtuosic passages, serving as a passionate, heart-on-the-sleeve showcase for string performance.
Caroline Shaw (b. 1982)
Plan & Elevation (2015) Commissioned by Dumbarton Oaks, this five-movement string quartet reflects on the historic estate's famous gardens and architecture:
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The Ellipse: Sets a grounded, rhythmic frame using repetitive, circular motifs.
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The Cutting Garden: Features playful, pluck-heavy pizzicato passages representing the clipped, patterned flora.
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The Herbaceous Border: Builds dense, layered textures that bloom outward in lush, organic harmony.
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The Orangery: Employs warm, luminous chords and bright resonances inspired by sunlight filtered through glass.
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The Beech Tree: Concludes the suite with deep, noble chords and quiet stillness, grounding the work in memory and nature.
The Performers
Adam MahaIn classic "millennial" fashion, Adam pursues a portfolio existence balancing a thriving freelance musical life with his work as a professional in the coffee industry. A graduate of the Conservatorium of Music at the University of Waikato, Adam is in demand as a violist, violinist, arranger and conductor working across a broad range of music. Since relocating to London in 2013 he's played in most of the major concert halls in the UK including Royal Festival, Royal Albert, Cadogan and Birmingham Symphony Halls in addition to the Barbican Centre, Sinfonia Square and the Palladium and Coliseum Theatres and performs regularly with various British and European ensembles. Adam is deeply passionate about building arts and culture into the fabric of one's community and making it an integral but everyday part of life. His approach to music-making has primarily been influenced by study with the New Zealand Chamber Soloists (Dr Lara Hall, James Tennant, Katherine Austin) and conductors Kenneth Young and Kenneth Kiesler - all of whom he counts as mentors and friends. |
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Gabrielle PeakeGabrielle Peake is a classical pianist and dedicated piano teacher based in Auckland. She holds a Master of Music and a Bachelor of Music, both awarded 1st Class Honours, studying with Rae de Lisle at the University of Auckland and Katherine Austin at the University of Waikato. Alongside her teaching, Gabrielle works as a collaborative pianist and is active as a composer under the artist name Peake. Her music blends classical and neo-classical influences with her works being commissioned for projects including New Zealand Fashion Week and Les Mills International. |
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Joseph HarropJoseph is a violinist, violist, and academic. From a large family of professional musicians and with a PhD from the Royal Academy of Music in London, Joe’s career as a performer, writer, composer and arranger began in the UK. He now resides and works in New Zealand. Joe is the Founding Director of the musical social development programme, Sistema Aotearoa. He performs with the chamber ensembles, Kulios, and The Black Quartet. Joe was fortunate to be raised on jazz music and has played Irish traditional fiddle music since he was a child. |
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Tamsin KreymborgTamsin is a Waikato-based cellist and teacher with an Honours degree in Music from the University of Waikato and a Master of Music from the University of Augsburg. After a decade living in Germany performing extensively in orchestral and chamber music settings across Europe, Asia, Tamsin returned to New Zealand and now regularly appears with ensembles including the Auckland Philharmonia, Opus Orchestra, and OCT ensembles. |
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Indiana WilliamsonIndiana is a 20-year-old, New Zealand violinist currently studying towards a Bachelor of Music at the University of Waikato under the tutelage of Lara Hall. He began playing the violin at the age of four and, at eleven, received a performance scholarship from the Royal Overseas League in London. He later attended the Specialist Music Programme at Burnside High School. |
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